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There's a significant amount of intelligent analysis and thought-provoking insight packed in to the pages of Chuck Klosterman's Sex, Drugs, and Cocoa Puffs, that is just a little surprising considering how darn stupid most of Klosterman's subject matter actually is. Klosterman, one in the few members in the so-called "Generation X" to proudly embrace that label along with the stereotypical image of disaffected slackers that usually accompanies it, takes the reader on a witty and highly entertaining tour through portions of pop culture not usually put through analysis and presents his thoughts on Saved with the Bell, Billy Joel, amateur porn, MTV's The Actual World, and far more. It will be easy in dealing with your subject matter to simply pile on some undergraduate level deconstruction, make a number of jokes, and possess who you are a clever little book. But Klosterman goes deeper than that, often employing their own life spent as being a member of the lowbrow target demographic to measure the cultural impact of his subjects. While it never quite lives up on the use in the word "manifesto" inside the title (it's really more of an survey blended with elements of memoir), there exists much here to entertain and illuminate, particularly passages about the psychoses and motivations of breakfast cereal mascots, the real difference between Celtic fans and Laker fans, and The Empire Strikes Back. Sections over a Guns n' Roses tribute band, The Sims, and soccer feel much more magazine pieces included to fill space than part of an cohesive whole. But when you're discussing a novel based over a portion of cultural history so reliant on a insufficient attention span, the incongruities feel somehow appropriate. --John Moe
There's a lot more cold cereal than sex or drugs in Klosterman's nostalgic, patchy collection of pop cultural essays, which, despite sparks of brilliance, does not cohere. Having graduated from the University of North Dakota in 1994, Klosterman (Fargo Rock City) seems never to have left that time or place behind. He is an ironically self-aware, trivia-theorizing, unreconstructed slacker: "I'm a `Gen Xer,' okay? And I Also buy shit marketed to `Gen Xers.' I use air quotes once i talk.... Get over it." The essay topics speak for themselves: the Sims, The True World, Say Anything, Pamela Anderson, Billy Joel, the Lakers/Celtics rivalry, etc. The closest Klosterman gets to the 21st century is Internet porn as well as the Dixie Chicks. This is a shame, because he's is really a skilled prose stylist which has a witty, twisted brain, a photo-perfect memory for entertainment trivia and it has real chops like a memoirist. The book's best moments arrive when he eschews argumentation for personal history. In "George Will vs. Nick Hornby," a tired screed against soccer suddenly comes your when Klosterman tells the tale of how he was fired from his senior high school summer job being a Little League baseball coach. The mothers wanted their sons to own equal playing time; Klosterman wanted "a run-manufacturing offensive philosophy modeled after Whitey Herzog's St. Louis Cardinals." In a chapter on relationships, Klosterman semi-jokes he only has "three and a half dates worth of material." Remove every certainly one of the dated pop culture analyses, and Klosterman's book has enough material for around half an extremely great memoir.
Copyright 2003 Reed Business Information, Inc. --This text refers for the Hardcover edition.
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