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Roach isn't like other science writers. She doesn't write about genes or black holes or Schrödinger's cat. Instead, she ventures out towards the fringes of science, the location where the oddballs ponder how cadavers decay (in her debut, Stiff) and whether you are able to weigh someone's soul (in Spook). Now she explores the sexiest subject of all: sex, etc questions as, what exactly is an orgasm? How could it be possible for paraplegics to have them? What does woman want, and will a man create it for her if her clitoris is too much from her vagina? At times the narrative feels insubstantial and digressive (how much would you have to be familiar with inseminating sows?), but Roach's ever-present eye and ear to the absurd and her loopy feeling of humor make her a delectable guide through this unesteemed scientific outback. The payoff comes with subjects like female orgasm (yes, it's complicated), and characters like Ahmed Shafik, who defies Cairo's religious repressiveness to conduct his sex research. Roach's forays offer fascinating evidence of the full variety of human weirdness, the nonsense which includes often passed for medical science and, more poignantly, the intense lengths that people goes to locate sexual satisfaction. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers towards the Hardcover edition.
*Starred Review* The Modern Yorker dubbed Roach “the funniest science writer inside the country.” OK, maybe there’s not just a lots of competition. But even when there have been 1000s of science-humor writers, she'd function as sidesplitting favorite. Of course, she chooses good subjects: cadavers in Stiff (2003), ghosts in Spook (2005), and today a genuinely fertile topic in Bonk. As Roach points out, scientists studying sex in many cases are treated with disdain, that there's something inherently suspicious about the enterprise. Yet through understanding the anatomy, physiology, and psychology of sexual response, scientists can help us toward greater marital and nonmarital happiness. Such altruistic intentions, which the novel shares, aren’t the wellspring of its appeal, however. That lies inside the breezy tone by which Roach describes erectile dysfunction among polygamists, penis cameras, relative organ sizes and enhancement devices, and dozens of other titillating subjects. Not being missed: the martial-art of yin diao gung (“genitals hanging kung fu”), monkey sex athletes, as well as the licensing of porn stars’ genitals for blow-up reproductions. To keep about the ethical side of human-subjects experimentation, Roach offers herself as research subject several times, resulting in certain of her best writing. --Patricia Monaghan --This text refers to the Hardcover edition.

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