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Amazon Best Books with the Month, February 2011: In recent years, the best reason to have a very Harper's subscription has been the appearance, once annually or two, of an long and life-giving essay by Edward Hoagland. Whatever topic they hang themselves on--political dissent, the circus (where Hoagland spent two memorable young summers), sex, aging, nature--they circle around and wander through all from the above, each a memoir in miniature, each a guide your as lived rolling around in its seventh and today eighth decades. Hoagland's best known as being a nature writer and continues to be called "the Thoreau in our time," but his tolerant and curious affection for human instinct too makes him better Thoreau's friend and landlord, Emerson. In any case, his sentences sing like theirs: elegant and aphoristic, but chunky with thought and image, leaping and pausing just like a line from Monk's piano. As you could guess from your title, the essays in Sex and also the River Styx, his first new collection in a very decade, are both late and lively. Hoagland is way sadder in relation to the accelerating destruction in the earth's bounty and variety than he could be about his very own decline; when he angrily fights the former, he happily accepts the past tense in speaking about ways he once lived but won't again. He's grown wise within the best way: he's learned some things in his time, none a many more than how little he knows. --Tom Nissley --This text refers towards the Kindle Edition edition.
Naturalist, novelist, and prolific essayist, Hoagland (Cat Man) describes his love affair with nature, given a whole new twist by his conviction that "human nature is interstitial with nature, and not to become shunned by means of a naturalist." Thus he describes his travels to Uganda, China, India; summers while young working while using circus or when older sitting inside senior center, all within the same keen, graphic detail with that they observes cedar waxwings passing a wild cherry tree. Hoag-land's range is capacious—political dissent, Tibetan barley, his stutter, overpopulation, his wives, his pique at becoming "a dirty old man" exciting his intellect and eliciting frank, deeply felt confessions. While rarely aphoristic or witty, Hoagland's prose sings. Extensive in range, intensive in passion, the direction of those 13 essays is inexorably toward the River Styx of the title—lament plus a perverse satisfaction. In a global where "fish turned into a factory for omega oil. Fowl for ÿbuffalo wings,' " only "death preserves me from witnessing the drowned polar bears, smashed elephant herds, wilting frog populations, squashed primate refuges." (Apr.)
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to the Hardcover edition.
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