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There's a significant bit of intelligent analysis and thought-provoking insight packed in to the pages of Chuck Klosterman's Sex, Drugs, and Cocoa Puffs, that is a little surprising considering how darn stupid most of Klosterman's subject matter actually is. Klosterman, one from the few members from the so-called "Generation X" to proudly embrace that label along with the stereotypical image of disaffected slackers that usually accompanies it, takes the reader on the witty and highly entertaining tour through areas of pop culture not usually exposed to analysis and presents his thoughts on Saved by the Bell, Billy Joel, amateur porn, MTV's the Real World, and a lot more. It would be easy in dealing by using these subject matter to simply pile on some undergraduate level deconstruction, make a couple of jokes, and possess yourself a clever little book. But Klosterman goes deeper than that, often employing their own life spent as a member from the lowbrow target demographic to measure the cultural impact of his subjects. While the ebook never quite lives up on the use in the word "manifesto" in the title (it's really more of the survey mixed with components of memoir), there is much here to entertain and illuminate, particularly passages about the psychoses and motivations of breakfast cereal mascots, the difference between Celtic fans and Laker fans, and The Empire Strikes Back. Sections over a Guns n' Roses tribute band, The Sims, and soccer feel similar to magazine pieces included to fill space than part of your cohesive whole. But when you're speaking about the sunday paper based on the area of cultural history so reliant on the not enough attention span, the incongruities feel somehow appropriate. --John Moe
There's a great deal more cold cereal than sex or drugs in Klosterman's nostalgic, patchy variety of pop cultural essays, which, despite sparks of brilliance, doesn't cohere. Having graduated from the University of North Dakota in 1994, Klosterman (Fargo Rock City) seems never to get left that period or place behind. He could be an ironically self-aware, trivia-theorizing, unreconstructed slacker: "I'm a `Gen Xer,' okay? I buy shit marketed to `Gen Xers.' And I Also use air quotes once i talk.... Get over it." The essay topics speak for themselves: the Sims, the Real World, Say Anything, Pamela Anderson, Billy Joel, the Lakers/Celtics rivalry, etc. The closest Klosterman gets on the Modern day is Internet porn and also the Dixie Chicks. This is really a shame, because he's is really a skilled prose stylist having a witty, twisted brain, a photo-perfect memory for entertainment trivia and has real chops as being a memoirist. The book's best moments arrive when he eschews argumentation for private history. In "George Will vs. Nick Hornby," a tired screed against soccer suddenly comes to life when Klosterman tells the tale of methods he was fired from his high school summer job as being a Little League baseball coach. The mothers wanted their sons to get equal playing time; Klosterman wanted "a run-manufacturing offensive philosophy modeled after Whitey Herzog's St. Louis Cardinals." In a chapter on relationships, Klosterman semi-jokes that they only has "three along with a half dates price of material." Remove all the dated pop culture analyses, and Klosterman's book has enough material for around half a really great memoir.
Copyright 2003 Reed Business Information, Inc. --This text refers towards the Hardcover edition.
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