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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist that is trying to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is the ideal mixture of smart-aleck maturity and youthful innocence. Articulating the massive words slowly and thoroughly with simply a hint of childishness, Woodman endearingly conveys the voice of an youngster who is trying desperately to sound just like an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety towards the imaginative and captivating plot, nonetheless they usually do not translate quite as seamlessly into audio format. Ferrone's wistful growl is perfect to the voice of your man who can don't speak, but as the listener actually gets to hear what how the character are only able to convey by writing over a notepad, his frustrating silence is less profound. Caruso's brilliant performance being an adoring grandmother can also be noteworthy, however the meandering stream-of-consciousness kind of her and Ferrone's sections are occasionally hard to follow on audio. Although it can be Oskar's poignant, laugh-out-loud narration which make this audio production indispensable.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Adult/High School-Oskar Schell is not your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. He also collects random photographs for his scrapbook and sends letters to scientists. When his father dies inside World Trade Center collapse, Oskar shifts his boundless energy to a pursuit of answers. He finds an important hidden in the father's things that doesn't fit any lock within their New York City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to talk to everyone in Ny City with all the last name of Black. A retired journalist who keeps a card catalog with entries for everybody he's ever met is simply one from the colorful characters the boy meets. Such as It Is All Totally Illuminated (Houghton, 2002), Foer needs a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with all the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works being a deceptive, glitzy cover for any fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the Wwii bombing of Dresden. Although this story is not quite as evocative as Oskar's, it will carry forward and connect firmly to the rest from the novel. The two stories finally intersect in the powerful conclusion that will make even the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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